Minggu, 27 Oktober 2013

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Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations, by Thomas L. Friedman

A field guide to the 21st century, written by one of its most celebrated observers

In his most ambitious work to date, Thomas L. Friedman shows that we have entered an age of dizzying acceleration - and explains how to live in it.

Due to an exponential increase in computing power, climbers atop Mount Everest enjoy excellent cell phone service, and self-driving cars are taking to the roads. A parallel explosion of economic interdependency has created new riches as well as spiraling debt burdens. Meanwhile, Mother Nature is also seeing dramatic changes as carbon levels rise and species go extinct, with compounding results. How do these changes interact, and how can we cope with them?

To get a better purchase on the present, Friedman returns to his Minnesota childhood and sketches a world where politics worked and joining the middle class was an achievable goal. Today, by contrast, it is easier than ever to be a maker (try 3-D printing) or a breaker (the Islamic State excels at using Twitter) but harder than ever to be a leader or merely average. Friedman concludes that nations and individuals must learn to be fast (innovative and quick to adapt), fair (prepared to help the casualties of change), and slow (adept at shutting out the noise and accessing their deepest values). With vision, authority, and wit, Thank You for Being Late establishes a blueprint for how to think about our times.

  • Sales Rank: #31 in Audible
  • Published on: 2016-11-22
  • Released on: 2016-11-22
  • Format: Unabridged
  • Original language: English
  • Running time: 1194 minutes

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7 of 7 people found the following review helpful.
A Clear Explanation of How We Got to Where We Are
By michael langsdorf
Friedman offers a compelling, well-researched paradigm for understanding how the US arrived at its current level of dysfunctional politics. His hypothesis, restated throughout the book is that the US, as well as the rest of the planet, is being subjected to three relentless, ineluctable forces: the exponential development of technology, the forces of globalization and concomitant interdependence, and severe climate change, all of which have altered forever the complacent stability to which we had become accustomed. He argues further that the pace of change (speed) as well as the rate of change (exponential) are exceeding in many cases, the capacity of individuals and societies to adapt to change, while politicians--glued to their own narrow ideologies and even narrower political bases--provide only simplistic, quixotic and ultimately futile responses.

Though I could have done without the plethora of folksy interjections, as a whole the argument made is compelling, well documented and (for me) fairly frightening. In the closing chapters of the book, Friedman offers several common sense, pragmatic solutions and manages to convey a sense of optimism that eventually, the world will be capable of adapting in a manner that improves global civilization. Given the facts and strong arguments made in preceding chapters however, the optimism seems unfounded;; particularly given the lack of political will for the heterodox approach that the author justifiably feels that circumstances require.

I've given this work five stars because it has helped me, more than any other source I've read, to develop a reasonably clear understanding of how we got to where we are. I do not share the author's optimism, but I appreciate the clarity of thought, the ability to synthesize what appear to be disparate trends, and finally, the insightful, cogent analyses.

4 of 5 people found the following review helpful.
Friedman's 3rd Seminal Work
By Jeffrey Stewart
I had one of those nights where too many ideas prevented me to sleep. I had pre-ordered Friedman's new book and it was now available, so I started in. I have not endorsed all of his books, but two profoundly impacted me. Lexus and the Olive Tree and World is Flat are seminal. After racing through the beginning, I can tell this one will be as well.

27 of 34 people found the following review helpful.
No, It's Not Going to Be O.K.
By Loyd Eskildson
Friedman writes a usually excellent New York Times column about foreign affairs. However, when he moves into areas such as economics (eg. supporting globalization - despite the obvious detrimental impact on the U.S.), technology, and sometimes politics, the quality drops considerably. Unfortunately, this book is mostly about issues other than foreign affairs, though that is not to say he has nothing worthwhile to say. However, his basic message - 'That it is going to be O.K.' remains to be seen.

It is definitely true that today's pace and extent of change is far faster and broader than it was hundreds of years ago (glacial, at best), or even 50 years ago. Others have pointed this out, most notably Ray Kurzweil. A major underlying factor - Moore's Law, well expounded upon elsewhere. DNA research, along with research in general (eg. data analytics) is also now accelerating - at a rate faster than Moore's Law, while electronics in general have gone through many revisions. Another has been the recognition of the need for clean power - solar power is also improving at a rate faster than Moore's Law. Now even the future of work itself is being threatened.

Not all these changes have helped Main Street - the most obvious example being globalization. Another is financialization's now also hollowing out America. And some important segments continue to resist/avoid change - U.S. healthcare (world's most expensive, despite being non-universal and often of relatively low quality), our public schools (again, the world's most expensive - except Luxembourg, while only middling in achievement), and the world's production of CO2. And, productivity hasn't participated in these rapid improvements, nor is it likely to - unless robot growth soon escalates, bringing another set of major societal problems.

Meanwhile, America has gone from being the world's greatest creditor nation to its largest debtor nation while accumulating a $13 trillion merchandise trade deficit since 1980. Byproducts include lessened/lost opportunities for today's students when they enter the world of work, a hollowing out of our manufacturing and research capabilities - and concomitant greater reliance on other nations to maintain our standard of living, enormous unfunded health care and pension liabilities, an adult population ranking relatively low skill-wise vs. other nations, and a political system paralyzed and dominated by rancor, ideology, childish militarism/nationalism/bullying, falsehoods, and half-truths by both sides. Our military is far too large to financially support, vastly diminished in power by asymmetric warfare too lethal to challenge anyone and everyone, and enemies far too numerous (including Middle Eastern terrorists) for us to continue to act like we run the world.

Meanwhile, we continue pandering to Israel, making little effort to conserve oil, trying to manage China, Russia, Iran, and most every other locale. Eventually, these problems will blow up in our face - Friedman should focus on addressing them.

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Jumat, 25 Oktober 2013

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THE BEGGAR MAID. STORIES OF FLO & ROSE., by Alice. Munro

  • Published on: 1979
  • Binding: Hardcover

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Senin, 21 Oktober 2013

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  • Sales Rank: #439566 in Books
  • Published on: 2005-04-01
  • Number of items: 1
  • Binding: Spiral-bound
  • 528 pages

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Jumat, 18 Oktober 2013

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Scenarios of Power. Myth and Ceremony in Russian Monarchy, Volume 2, by Richard S. Wortman


Richard Wortman continues his unrivaled inquiry into the lavish ceremonies and celebrations of the Russian imperial court, revealing the myths, symbols, and rituals that were central to monarchical rule. In this volume, he explores the presentations and representations of tsarist power under the last three emperors--Alexander II, Alexander III, and Nicholas II--who faced increasing social pressures from modernizing forces. Coronations, funerals, the blessing of the waters, parades as well as art, architecture, and the printed word all captured the mental worlds of these men and showed how they understood the empire they ruled. Wortman describes the evolution of their scenarios during their upbringing and the early years of their reign, making clear how these symbolic settings defined their policies and goals.


The author finds that the last Russian tsars adapted the myth of the transcendent Western emperor to cope with the challenges of liberalism, nationalism, and democracy. They made use of historical celebrations, the press, art, literature, and films to disseminate their images as popular, national monarchs. Alexander III and Nicholas II presented themselves increasingly as the embodiment of the Russian people, rather than the all-Russian emperor governing a multi-ethnic empire--an image perpetuated by Peter the Great. This new means of appeal, Wortman argues, by presenting the tsar as sole representative of the Russian people, enabled him to sustain his determination to counter the Duma and to restore his autocratic privileges.


  • Sales Rank: #3397525 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2000-03-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.70" h x 6.46" w x 9.44" l,
  • Binding: Hardcover
  • 580 pages
Features
  • Used Book in Good Condition

Review

Co-Winner of the 2006 Etkind Prize, Best Book by a Western Scholar on Russian Literature/Culturey, European University at St. Petersburg



Winner of the 2000 George L. Mosse Prize, American Historical Association


"A brief review can hardly do justice to the wealth of information and sophistication of analysis here; if the outline of Wortman's story is familiar, his telling of it is refreshingly new. . . . Eschewing the kind of treacly romanticism that tends to transform [the tsars] with their many egregious faults into tragic heroes, Wortman enriches our understanding of why they made certain personal choices so ill-suited for the nation they undeniably loved."--Louise McReynolds, Slavic Review



"The formidable variety of evidence Wortman has amassed in this volume for his novel conclusions about the nature of Russian autocracy and downfall of the Romanovs puts Scenarios of Power at the top of the reading list not just for the serious students of Imperial Russia but for all scholars interested in the power of cultural symbols to shape history."--Priscilla Roosevelt, Russian Review



"This is a masterly book. It provides a penetrating analysis of the
political culture of late Imperial Russia. Wortman's sophisticated and stimulating volume should provide a starting point for many more studies of the symbols and ritual of the Tsarist state."--Peter Waldron, Europe-Asia Studies



"A major contribution to the history of Russia, one from which every serious student of that country's tragic destiny will learn."--Abbott Gleason, Journal of Modern History

From the Inside Flap
"Together with the first volume, this second volume of Scenarios of Power will likely long remain the single best interpretive study of the evolution of modern monarchical ideology in Russia. It is also a superb example of the cultural analysis of monarchical politics, and therefore will interest readers outside of the Russia field. Attentive to the symbolic sources of political action, Wortman illuminates the mythic images and narratives--and the changes in these--that monarchs and elite advocates of the monarchy articulated from the middle of the nineteenth century to the final years of the Romanov monarchy."--Mark D. Steinberg, University of Illinois, Urbana-Champaign

From the Back Cover

"Together with the first volume, this second volume of Scenarios of Power will likely long remain the single best interpretive study of the evolution of modern monarchical ideology in Russia. It is also a superb example of the cultural analysis of monarchical politics, and therefore will interest readers outside of the Russia field. Attentive to the symbolic sources of political action, Wortman illuminates the mythic images and narratives--and the changes in these--that monarchs and elite advocates of the monarchy articulated from the middle of the nineteenth century to the final years of the Romanov monarchy."--Mark D. Steinberg, University of Illinois, Urbana-Champaign


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10 of 18 people found the following review helpful.
Welcome to the weird world of Russian monarchism
By pnotley@hotmail.com
How to summarize the history of the Romanov dynasty? Well, Peter "the Great" murdered his son, Catherine "the great" murdered her husband, and Alexander "the Blessed" was complicit in the murder of his father. After that the dynasty went into a bit of a decline. For the past two decades historians have been increasingly interested in the world of monarchist ritual. They have looked at how during the nineteenth century these rituals became more, not less, elaborate and they have pondered on the use of these rituals as examples of aristocratic hegemony. Wortman's well written and well documented second volume looks at the Russian version from the ascension of Alexander II in 1855 to the abdication of Nicholas II. We certainly get a lot of information on the elaborate ceremonies of the monarchy. We learn of the elaborate rituals and liturgies of the coronation ceremonies, along with fulsome and increasingly sycophantic paeans from the ranks of Orthodoxy. We are in a world of great popular feasts for the people, "entertained by acrobats, jugglers, stunt riders, and carousel rides," which comes to its horrible climax when at least 1,500 people are trampled to death on the feast festivals of Khodynka at the coronation of Nicholas II, the direct result of tsarist incompetence. We enter the world of elaborate balls, and the exquisite detail of faberge eggs (one designed to look like Assumption Cathedral). We see new strains in royalist propaganda as Alexander III presents a nationalist and orthodox message, while Nicholas II presents a Victorian and domestic picture of his family. Rather revealingly Wortman quotes Tchaikovsky's contempt for the 1812 Overture that he composed for Alexander III's coronation.
But there is a larger point in Wortman's account. Much of the literature on royal power deals with its ability to dazzle the larger population. Increasingly, however, royal ritual only dazzled its monarchs. Alexander II starts off with the "scenario of love." After the (partial) emancipation of the peasantry, Alexander II increasingly emphasized his "loving" and "benevolent" nature, as if his self-professed amiability automatically deserved to be reciprocated. As it happened Alexander II's marriage was visibly crumbling as he carried on with a much younger woman. At the same time Alexander moved away from a western path of development, he also sought to ignore what laws and regulations existed to force the rest of the nobility to accept his paramour as his second empress.
Alexander III's reign saw an emphasis on an increasingly chauvinist vision of Russia and Russian orthodoxy, with a new emphasis on monarchies and cathedrals. There was a weird, increasingly unreal and almost necrophiliac admiration for 17th century Moscow, before the liberal rot had set in under Peter I. There was a new emphasis on miracle as the country moved towards a military dictatorship. Nicholas II believed in all these ideas and more, but whereas Alexander III relied on the army and the dictatorship, Nicholas increasingly deluded himself into believing that he had a direct relationship with the Russian people. In this increasingly mystic view in which the "real" Russian people gave him their complete and unequivocal support, Nicholas II viewed the bureaucracies, the army, the episcopacy, other politicians simply as barriers to the implementation of his own will.
As a result during his rituals Nicholas II never missed an opportunity to demean the Duma, the parliament he had reluctantly allowed after the 1905 revolution and which he was planning to emasculate before war broke out in 1914. Nicholas became obsessed with "holy men" who supposedly represented the Russian people, and he and his wife shamelessly bullied the Orthodox hierarchy in order to declare one of them a saint. Reading reports from his bribed press, easily impressed by the crowds who flocked to the anniversaries and royal tours, Nicholas had deluded himself into believing that he was one with the Russian people. Becoming commander in chief of the army against the advice of almost all his ministers, by the end of his reign Nicholas could no longer count on the army, or the church, or the conservatives in his rigged parliament, or most of his family, indeed on anyone other than his wife and children. And yet he was outraged after his abdication that his brother Michael might speak hesitatingly of a constitutional monarchy. The emphasis on Victorian domestic harmony was an illusion; Wortman clearly shows that any chance Russia had of moving on towards a non-revolutionary modernity was fatally hampered by its monarch with a seventeenth century soul.

12 of 39 people found the following review helpful.
History clouded by interpretive theory
By A Customer
As is often the case with Western scholars writing on things Russian, one simply cannot properly understand Russia -- culturally or politically -- without first understanding Byzantium and Eastern Orthodoxy. Russia is a heir to Byzantium, and Orthodoxy determined and shaped its culture. Mr. Wortman tends to treat his subject as if he were part anthropologist, part literary theorist, part psychologist -- all premised on the assumption that the idea of Monarchy itself was and is simply a "forest of symbols", as arbitrary in its connection to any sort of transcedental meaning as any other "system. This betrays the disease of modern academia: political systems are mere ideologies, constructions that mask power. To ignore the theology of the Orthodox Church and the various writings both in Greek and Russian on Monarchy is an oversight to say the least. To try and psychologize or play with semiotics as a way to unmask the Russian Monarchy is bad history. The Czar and the Church represented the two heads of the double eagle inheritted from Byzantium. One head -- the Czar -- protected the Kingdom and the Faith from foreign invaders and preserved a Christian Kingdom in rule and law; the Church -- the other head of the eagle -- tended to man's salvation and his soul. These two heads worked synergistically. This is the essence of the Russian Monarchy: the Czar's role cannot be separated from his duty to God and the Church. To understand how this works and why, turn to Byzantium or Pebodenostev.

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Senin, 14 Oktober 2013

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Humans of New York, by Brandon Stanton

Based on the blog with more than four million loyal fans, a beautiful, heartfelt, funny, and inspiring collection of photographs and stories capturing the spirit of a city

Now an instant #1 New York Times bestseller, Humans of New York began in the summer of 2010, when photographer Brandon Stanton set out to create a photographic census of New York City. Armed with his camera, he began crisscrossing the city, covering thousands of miles on foot, all in an attempt to capture New Yorkers and their stories. The result of these efforts was a vibrant blog he called "Humans of New York," in which his photos were featured alongside quotes and anecdotes.

The blog has steadily grown, now boasting millions of devoted followers. Humans of New York is the book inspired by the blog. With four hundred color photos, including exclusive portraits and all-new stories, Humans of New York is a stunning collection of images that showcases the outsized personalities of New York.

Surprising and moving, printed in a beautiful full-color, hardbound edition, Humans of New York is a celebration of individuality and a tribute to the spirit of the city.


With 400 full-color photos and a distinctive vellum jacket

  • Sales Rank: #1287 in Books
  • Brand: Brand: St. Martin's Press
  • Published on: 2013-10-15
  • Released on: 2013-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x .92" w x 7.36" l, 2.22 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Used Book in Good Condition

Amazon.com Review
The Top 5 Humans of New York

Brandon Stanton's thousands of not-quite-candid street portraits of New Yorkers (and accompanying captions, usually from the subjects themselves) have made his Humans of New York blog both poignant and extremely popular--as well as garnering him recognition as one of Time magazine's "30 People Under 30 Changing the World." This book of the same title collects 400 of his best portraits, telling small stories that are outsized in their humor, candor, and humanity. It was also our number one pick for the best books of the year in Photography.

Here are Stanton's own top five favorite images, accompanied by his own words. Click on the images to see larger versions, and learn more about Humans of New York. It also makes a wonderful gift for any of the humans in your life.

-- Jon Foro

 

1) Ironically, some of the best quotes come from the people who have the least amount of time to talk to me. She told me: "I can't talk, because these shadows are changing every second." Normally I'm a bit downtrodden if I'm unable to interview a subject, but I thought her 'brush-off' was the perfect complement to the photo.

Click here for a larger image    

2) I always cite this photo as representing the most emotional interaction that I've ever had on the street. I came across this 100 year old woman just south of Central Park. She was walking in a rainstorm with a very bright umbrella. After I took her photo, I got under the umbrella with her, and asked her for one piece of advice. She said: "I'll tell you what my husband told me when he was dying. I asked him: 'Mo, how am I supposed to live without you?' And he told me: 'Take the love you have for me and spread it around.'"

Click here for a larger image    

3) I was walking through Chelsea one morning when I noticed someone rolling around in the middle of the street. Of course I started running toward the scene, and when I arrived, I found this drag queen. Apparently she had been performing a song at a nearby bar, and at the climax of her performance, ran into the street and threw her tips into the air. I joke that this photo captures more elements of New York than any other I've taken.

Click here for a larger image    

4) I love this photo because of the variety of expressions that I managed to capture. I found these kids in the Lower East Side, making the most of a hot summer day. Right before I took the photo, one of the kids leaned a little too far forwards and started spilling water from the pool. This created a variety of different responses from his fellow swimmers.

Click here for a larger image    

5) The young boy seemed so unwilling to participate in the portrait, that at first it seemed like a photo would be impossible. But his shyness ended up coming through beautifully, creating a portrait of the relationship between mother and son.

Click here for a larger image  

Amazon.com Review
An Amazon Best Book of the Month, October 2013: The thing that always amazes me about New York is that it works at all: so many people, stacked on top of each other in apartments or wedged side-by-side on the streets, that it once seemed--to my admittedly West Coast eyes--that there could be no room to breathe, to stretch, to be human in such a seemingly inhumane environment. Even the garbage (the literal garbage; no Travis Bickle allusions here) is pushed to the sidewalk--there’s not even space between buildings to hide it. But once I’d been there--admittedly late--I understood that it’s the people themselves that make it work; that diversity and self-expression (not to mention the necessity) create a kind of space on their own. Brandon Stanton gets it. His thousands of not-quite-candid street portraits of New Yorkers (and accompanying captions, usually from the subjects themselves) have made his Humans of New York blog both poignant and extremely popular. And now, his book of the same title collects 400 of his best portraits, telling small stories that are outsized in their humor, candor, and humanity. As it turns out, inner-space is a dimension all its own, and it counts, too. --Jon Foro

Review

“An instant publishing phenomenon.” ―The New York Times

“Visually arresting and disarmingly deep... The photographs in this volume, some of which have never been published before, capture the city's inhabitants with a commendable eye for demographic diversity and everyday street fashion. But it's Stanton's interviews with his subjects, usually excerpted from their rawest moments, that are the most captivating as they highlight both the hardship and the little victories of an often-unforgiving city.” ―The Atlantic

“[A] lovely collection of photos and essays... The images are gorgeous, and the effect is like walking through a version of our city where startlingly honest thought bubbles appear over everyone's heads.” ―New York Magazine

“There's no judgment, just observation and in many cases reverence, making for an inspiring reading and visual experience.” ―Publishers Weekly (starred review)

“Some street photographers hide behind phone booths like paparazzi so their subject won't be aware of their presence, but for Stanton it's precisely that awkward interaction, the tearing down of the wall between strangers, that he covets.” ―The Huffington Post

Most helpful customer reviews

923 of 1011 people found the following review helpful.
Expected more anecdotes
By Aline
I hate to break the 5-star roll, but the honest truth is that the blog is better. I was super excited to have a curated set of Brandon's absolute best photos and quotes, but most do not include anecdotes and just say "Seen in _____". As a native New Yorker, I would also add that several neighborhoods were labeled incorrectly: a hot dog shop in Gowanus was wrongly labeled as Red Hook; a corner in Gramercy was labeled "Lower Midtown" (a term Brandon or his editor invented-- it is used neither on maps nor colloquially).

Furthermore, there are too many similar photos; there is a limit to how many times I can be captivated by women with half-shaven heads. He's also included a lot of low-quality photos that don't tell a story and are trying too hard to be aesthetic: a plain woman in a red coat against a red and white background for instance. These seem like earlier amateur works. They would be interesting to see on the blog as evidence of how the project has matured, but in a book where each page is precious real estate, these photos lack depth and feel like filler.

In the blog, oftentimes the quotes speak louder than the photos, and that is why I follow HONY. So I can meet the people of my city through his interviews. The stories humanize the subjects; they allow us to go beyond the surface of skin and cloth. But as I said, most of the photos in the book do not have those accompanying quotes. I find myself moved by a much, much larger percentage of photos on the blog than in this book. But I commend Brandon for making his book dream come true. I think the next edition will be better. Stick to the format of the blog! Photos and anecdotes and no filler! :)

0 of 0 people found the following review helpful.
Ever walked down the street and wondered what that man with the purple hats life was like?
By Sonia
Brandon is an amazing photographer, storyteller, and in general a great human being. I learned to look up to him about what he does and what he brings us in his art. Brandon travels the world asking strangers about their past, present, even future and quotes their beautiful stories under their photos. He asks people from ALL different walks of life... poor, rich, edgy, hip, young, old, wild, quiet, the list goes on! It lets us into other peoples lives making us realize we arent alone in our struggles and makes us realize other people are humans too! Sometimes we tend to ignore the people next to us or tend to judge by looks, his books reminds us not too!! I absolutely LOVE this collection of his stories from New York. I personally hope he makes way more books not just the 2 he has now.
I HIGHLY recommend this book, it may crush your heart at times but other times it'll warm it.
We as humans need to be more compassionate towards each other, especially strangers, cuz you never know what battles they may be facing...

1 of 1 people found the following review helpful.
HONY: Brandon Stanton's photographic tribute to his adopted city
By John Williamson
New York City is many special things to different people. For some it's museums, for others the New York Public Library. For some it's performances at Lincoln Center, Radio City Music Hall, Carnegie Hall, the Apollo Theater or any number of Broadway plays and musicals. For others it is the world-famous landmarks: Times Square, the Statue of Liberty, the Empire State Building or thousands of other places, too many to mention here.

But New York City is really about one other thing: people.

Photographer Brandon Stanton has captured this in Humans of New York, his debut book... and it has skyrocketed on the various book charts since its publication in October 2013, and for good reason. Based on his HONY blog, which now has over two million followers and fans, this book is a visual delight of about 400 photos of the people that he has encountered in his travels across the five boroughs that make up New York City. His people images make a gorgeous, sometimes funny, truly genuine, and often moving compilation of photos that capture the spirit of the city through its diverse people in often inspiring ways.

Brandon Stanton did not start his career with the goal of becoming a photographer, as he explains in the introduction of this book. He noted that while working as a bond trader in Chicago, he spent his weekends with a camera that he had acquired in 2010, and that photography "felt like a treasure hunt." After losing his job as a trader, he traveled to various American cities, but his first impressions of NYC were unforgettable, as he notes in the intro:

"I remember the moment my bus emerged from the Lincoln Tunnel and I saw the city for the first time. The sidewalks were covered with people. The buildings were impressive, but what struck me most were the people. There were tons of them. And they all seemed to be in a hurry. That night, I created a photo album for my New York photos. I called it `People of New York.'"

From that simple beginning, the rest became photographic history; from his early attempts at a Web page, he discovered social media in the form of Facebook and Tumbler. Fans of his images reacted, and soon became regular followers. At first it was hundreds, then thousands, and zooming forwards to today, his Facebook page has over two million loyal followers, and hundreds commenting on his images daily, with many of those sharing his people photos to their own pages. Each of these is a capsule of a moment in time.

On these pages we see everyday people as encountered by many of us on the New York streets; subway images, people in Central Park, in Brooklyn's Prospect Park, by the Strand Book Store in Downtown Manhattan, at the Brooklyn Museum and at Manhattan's iconic Metropolitan Museum of Art. We see a young well-dressed girl in the lobby of the Plaza Hotel, a well-dressed older woman at the Waldorf-Astoria, people carrying boxes of pizza as gifts for the firefighters (the owner refused payment), people at Union Square on 14th Street, and a Marine recruiter in uniform on the street in Downtown Manhattan. Some are camera shy, while others are striking a pose.

And there are some that stand out, strikingly so. We see the full-page view of the model in her black and white striped evening gown at Lincoln Center, the chess players at Washington Square Park, people with their pets, the Sikh gentleman whose gentle smile is hidden behind his iconic mustache and beard, and the two page image of two ballet students captured in a lunchtime pose, standing in front of a steam grate in Tribeca. It is this same image that has served as the iconic avatar on HONY's Facebook page.

There are people at play, at work, sleeping on benches in parks, dancing, eating, kissing, hugging, and frolicking in the water gushing from fire hydrants. We find people of all ethnic backgrounds, and of all ages, from teenagers to folks in their nineties, to children. There are many superb images of children here, and they must captivate Stanton, as it is said that he will be publishing a children's book, "Little Humans" in 2014.

There are captions, though they are limited and to the point. Maybe because Stanton is upbeat and not condescending, so his captions never stereotype, even when he photographs people that close-minded individuals might think of as "sketchy" or strange. His book radiates his own natural curiosity, along with diversity, appreciation and respect for the people that he photographs. For open-minded people watchers, this book is a treasure.

It's difficult to classify this as a traditional coffee table photo book, if just by size alone. My copy is 304-page hardcover first edition printed in the U.S. and published by St. Martin's Press on October 15th, 2013. It measures 9.2 x 7.3 x 1 inches, which is hardly a coffee table book like another favorite, The New York Times Magazine Photographs by Kathleen Ryan. That Aperture edition measures 12.2 x 10.5 x 1.8 inches, a good bit larger.

On a personal basis, I rank Brandon Stanton's book right up there with Robert Frank's The Americans, a powerful book in post-WWII American photography. First published in 1959, his black and white photos were remarkable for their distanced view of both high and low strata of American society of the time. In contrast to Stanton's book, there is an element of sadness, even despair, in some of the images, but there is joy as well.

To many, New Yorkers are standoffish, cold and impersonal. For those of us who have spent time on the streets here, this is generally not so, and as a relative newcomer to the city, Brandon Stanton has proven that to be a myth. I am reminded of this quote that was written down when it was passed on by a friend:

"My favorite thing about New York is the people, because I think they're misunderstood. I don't think people realize how kind New York people are."
~ Bill Murray, Moviefone interview, April 27th, 2010

What makes Brandon Stanton's Humans of New York so different is that it is not about high-profile celebrities. It features people who aren't normally documented, who one might find anywhere on the New York streets if one just looks. It's a book that I have already gifted to some special friends, ones who also enjoy real people in everyday settings. It's not just a personal favorite, but one that may well go down in books of NYC street photography as a landmark chronicle of this era. Time will tell.

JW ▪ 1/2/2014

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Minggu, 13 Oktober 2013

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This revised edition presents an engineering design approach to ventilation and air conditioning as part of the comprehensive environmental control of the mine atmosphere. It provides an in-depth look, for practitioners who design and operate mines, into the health and safety aspects of environmental conditions in the underground workplace.

  • Sales Rank: #957201 in Books
  • Published on: 1997-11-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.55" w x 6.40" l, 2.65 pounds
  • Binding: Hardcover
  • 752 pages

Most helpful customer reviews

6 of 6 people found the following review helpful.
Clear and concise, what I would expect from Hartman
By Jim Mazzocca
I bought my first Hartman vent book as a student in 1977. This new edition continues to serve my needs some 20+ years later in the ever changing world of mine ventilation.

0 of 0 people found the following review helpful.
Good value, and in great condition
By E. Cook
Great book, very helpful and concepts well-explained. Fairly good value for money.

0 of 0 people found the following review helpful.
Five Stars
By Sam B
Excellent technical book

See all 3 customer reviews...

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Kamis, 10 Oktober 2013

[C573.Ebook] Fee Download Introduction to Networks Companion Guide, by Cisco Networking Academy

Fee Download Introduction to Networks Companion Guide, by Cisco Networking Academy

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Introduction to Networks Companion Guide, by Cisco Networking Academy

Introduction to Networks Companion Guide, by Cisco Networking Academy



Introduction to Networks Companion Guide, by Cisco Networking Academy

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Introduction to Networks Companion Guide, by Cisco Networking Academy

Introduction to Networks Companion Guide is the official supplemental textbook for the Introduction to Networks course in the Cisco® Networking Academy® CCNA® Routing and Switching curriculum.

 

The course introduces the architecture, structure, functions, components, and models of the Internet and computer networks. The principles of IP addressing and fundamentals of Ethernet concepts, media, and operations are introduced to provide a foundation for the curriculum. By the end of the course, you will be able to build simple LANs, perform basic configurations for routers and switches, and implement IP addressing schemes.

 

The Companion Guide is designed as a portable desk reference to use anytime, anywhere to reinforce the material from the course and organize your time.

 

The book’s features help you focus on important concepts to succeed in this course:

  • Chapter Objectives–Review core concepts by answering the focus questions listed at the beginning of each chapter.
  • Key Terms–Refer to the lists of networking vocabulary introduced and highlighted in context in each chapter.
  • Glossary–Consult the comprehensive Glossary with more than 195 terms.
  • Summary of Activities and Labs–Maximize your study time with this complete list of all associated practice exercises at the end of each chapter.
  • Check Your Understanding–Evaluate your readiness with the end-of-chapter questions that match the style of questions you see in the online course quizzes. The answer key explains each answer.

 

Related Title:

Introduction to Networks Lab Manual

ISBN-10: 1-58713-312-1

ISBN-13: 978-1-58713-312-1

 

  • How To–Look for this icon to study the steps you need to learn to perform certain tasks.
  • Interactive Activities–Reinforce your understanding of topics with more than 50 different exercises from the online course identified throughout the book with this icon.
  • Videos–Watch the videos embedded within the online course.
  • Packet Tracer Activities–Explore and visualize networking concepts using Packet Tracer exercises interspersed throughout the chapters.
  • Hands-on Labs–Work through all 66 course labs and Class Activities that are included in the course and published in the separate Lab Manual.

This book is part of the Cisco Networking Academy Series from Cisco Press®. Books in this series support and complement the Cisco Networking Academy curriculum.

 

  • Sales Rank: #47576 in Books
  • Published on: 2013-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.20" w x 8.20" l, 3.20 pounds
  • Binding: Hardcover
  • 720 pages

About the Author

Most helpful customer reviews

11 of 11 people found the following review helpful.
Well laid out, clear explanations- beware of subnetting
By M. Elslip
This textbook is clear and well laid out. I'm using it in conjunction with the cisco academy online curriculum (which is essentially the same, but quite a bit more visual and interactive so the concepts really 'stick').
I think the text does a very good job of covering basic concepts like switching, routing, IPv4, IPv6, OSI Model Layers and lots and lots and lots of different protocols.
BUT- if you need to learn subnetting (and if you're taking the CCNA you need to have calculating and understanding subnets something you can do in your sleep) this text is not sufficient. It does cover how to subnet, why we do it and basic calculations, but anybody who has had to do extensive subnetting will tell you it's totally insufficient. This is extra weird because subnetting is on the CCNA and doing it quickly is absolutely imperative to passing. So, get out your google machine and look up some 2^ tables and speed subnetting functions if your instructor doesn't give you more subnetting experience and practice than the book does, because you'll really need it.

2 of 2 people found the following review helpful.
Adequate.
By Andre
The course originally called for another book. The other book had the same text content but did not have the pictures and diagrams. This made it hard to relate to the online course material. But this book, had most (not all) of the pictures and diagrams as the online course material. This made it easier to read when I was unable to be near my computer or internet access. It is more expensive but I feel it is worth the cost.

1 of 1 people found the following review helpful.
Good if you have a terrible professor.
By Capt. Morgan
It's very helpful. My professor is a dingbat(for example, test Friday is on chapter 4, but for some reason he's lecturing on chapter 8& 9. I wonder why I even waste my money on school. I often wonder how he's a Cisco certified professional.) and studying from a computer screen isn't my forte. There are little test at the end of each chapter and they tend to be very helpful. As far as packet tracer goes, YouTube will be more help than anything else for configuring routers and switches. In my opinion, since I've already taken a few networking course...this course isn't very intro...it's more like "Intro to Cisco" not "Intro to Networks."

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