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Beginning in the late 1940's, American literature discovered a four-letter word, and the word was "beat." Beat as in poverty and beatitude, ecstasy and exile. Beat was Jack Kerouac touring the American road in prose as fast and reckless as a V-8 Chevy. It was the junk-sick surrealism of William Burroughs; the wild, Whitmanesque poetry of Allen Ginsberg; and the lumberjack Zen of Gary Snyder.
The Portable Beat Reader collects the most significant writing of these and fellow members (and spiritual descendants) of the Beat Generation, including Neal Cassady, Gregory Corso, Diane di Prima, Bob Dylan, Leroi Jones, and Michael McClure. In poetry, fiction, essays, song lyrics, letters, and memoirs, it captures the triumphant rudeness, energy, and exhilaration of a movement that swept through American letters with hurricane force.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Sales Rank: #47866 in Books
- Published on: 2003-07-29
- Released on: 2003-07-29
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x 1.10" w x 5.10" l, 1.01 pounds
- Binding: Paperback
- 688 pages
Amazon.com Review
The Portable Beat Reader is an excellent and thorough study of the Beat Generation, compiled and edited by Ann Charters, biographer of Jack Kerouac and one of our most notable experts on Beat literature and ideas. This lively work of scholarship goes deeply into the history of the Beat movement, investigating events such as the discovery (by writer William Burroughs) of the word beat to describe this literary generation. The reader includes essays on all the major prose and poetry writers, such as Allen Ginsberg, and offers rare insight into the literary-historical context of the movement.
From Publishers Weekly
Cutting through bohemian posturing and excess, Charters here reprints much of the most vital, readable and relevant material produced by the Beat generation, primarily in the 1950s and '60s, with some selections from the '70s and '80s. The novels of such leading figures as Jack Kerouac and William S. Burroughs lend themselves well to excerpting, giving this volume creditable ballast. Representative works of Allen Ginsberg, Lawrence Ferlinghetti and Gary Snyder are included along with those of lesser-known Beats (e.g., John Clellon Holmes), fellow travelers like Frank O'Hara and Amiri Baraka, and wives and girlfriends often overlooked at the time, including Hettie Jones, Carolyn Cassady and Joyce Johnson. Charters ( Kerouac ) offers a broad perspective on this seminal literary movement: she links East Coast Beats to the San Francisco Renaissance poets; pays attention to such latter-day Beats as Ed Sanders and Tuli Kupferberg; and explains the position of non-Beat but related writers--Alan Watts, Anne Waldman, Diane DiPrima and the young Norman Mailer--in her helpful introductory essay and notes preceeding each entry. Her energizing, liberating anthology makes it clear that such Beat preoccupations as the bomb, the meaninglessness of modern existence and ecological destruction remain current.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
Charters, a noted critic of the Beat generation and Jack Kerouac's first biographer, has chosen a representative sample of Beat writings for the latest addition to the Viking "Portables" series. Arranged chronologically in six sections, it includes excerpts from Kerouac's On the Road , Allen Ginsberg's Howl , and William S. Burroughs's Naked Lunch , as well as work by Herbert Huncke, Ray Bremser, and lesser-known figures. "Beat" is used in its broadest sense to cover the San Francisco Renaissance poets and others, including Bob Dylan, who were influenced by or were sympathetic to the Beats. Robert Creeley's work is conspicuously absent. A general introduction as well as introductions to each section attempt to "situate the writers in their political, social, and literary contexts." This is highly recommended.
- William Gargan, Brooklyn Coll. Lib., CUNY
Copyright 1991 Reed Business Information, Inc.
Most helpful customer reviews
29 of 30 people found the following review helpful.
Good Start for the "Beat"en Path
By A.Trendl HungarianBookstore.com
Nice sampler... all the writers you should expect are in here.
A feature I enjoyed particularly was the intro section. Read "about the writer" before the piece. Since I had not heard of so many of these writers, I found it intriguing to see how many were part of the same group of friends. The Beats largely were connected with each other's lives and fed off each other's style and work.
Buy this book, then go get the full works of these individual writers. For an anthology of Beat writers, you will find no better book.
I fully recommend this book.
Anthony Trendl
anthonytrendl.com
13 of 13 people found the following review helpful.
A Great Guide If You Don't Know What You Like
By Autumn May
This book features some excellent beat writers and includes informative blurbs on their history and style. Each artist has a little chunk of their writing for you to sample, and the material is everything from stories to letters to classically bad prose.
What impressed me were the essays by each other, on the actual generation hype.
"Young people seemed more intense, clutching, and I couldn't help feeling they took themselves too seriously... 'good, clean fun' appeared to be a thing of the past. Or perhaps the aura of suspicion and defensiveness was merely a reflection of my own fears..." --Carylon Cassady
It's a great book for deciding which authors you want to read more of.
12 of 13 people found the following review helpful.
Introducing The Beats
By Marc Shaw
After riding the whirlwind of On The Road and Howl, many readers will acquire an appetite for Beat literature that will lead them to this book. Ann Charters serves up some of the best pieces of Beat Literature in this anthology. However, some inclusions, such as excerpts from On The Road, could be considered sacrilege, as the texts were never meant to be cut up, and suffer as a result. The Bob Dylan lyrics included by Charters indicate that she was no Dylan scholar, as other tracks would have been more suitable. However, with inclusions such as Neal Cassady's letters, William S. Burroughs adventure narratives, and the lesser known Beat poetry, this anthology is indispensable.
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