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Understanding Animation, by Paul Wells
PDF Download Understanding Animation, by Paul Wells
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
- Sales Rank: #626014 in Books
- Published on: 1998-06-28
- Released on: 1998-05-28
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .64" w x 6.14" l, 1.20 pounds
- Binding: Paperback
- 280 pages
About the Author
Paul Wells is Senior Lecturer at DeMontfort University, Leicester.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Fundamental flaw in the text of the kindle version
By Bronwyn3d
On (my) page 353 (of 7361) under the sub-heading 'So whats the answer? Visual education?' the text refers to "eel"animation. This is a huge mistake as the text should read "cell" animation. This mistake is repeated on several of the following pages. PLEASE FIX THIS!!
0 of 1 people found the following review helpful.
good.
By Vicky Souravla
i didn't like:
*the small letters
*the lack of pictures
i did like:
*the chapters
Recommend it to: Animation Beginners
2 of 2 people found the following review helpful.
A valuable book for animation scholars and researchers
By marcia e harbaugh
Yes, few pictures. This is not an animation "how-to" or a coffee table book. Instead, this is an extremely valuable book for those interested in animation theory. I would recommend this text more to academics and scholars interested in animation as a form, than those wanting to learn HOW to animate. Although, I do believe it is extremely important understand the theory behind what we do and the history of how others have done it, I would hate for someone to order this book expecting something more tutorial and technical. Wells examines animation as a popular, yet neglected art form and compares the medium to cinematic models and traces the evolution of animation. The text is part history and part theory. He uses examples from multiple animators and studios to support his arguments. The work covers everything from technique to issues in representation. I do not agree with everything he writes in this book, and at times I grow skeptical/confused about his self-invented terminology, but he draws interesting insights to animation and relates them to actual animated texts. I highly recommend this to anyone who is researching animation as an art form or is simply interested in animation history and theory.
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